David Thyresson
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Noriko and the City of the Dog: Freedom, Autonomy, and Exile
An analysis of dog symbolism in Ozu Yasujiro's Early Summer (1952), examining themes of freedom, autonomy, and exile through the film's opening sequence.
Film analysis
Japanese cinema
Ozu
Symbolism
Film
Middlebury College
🗓️
May 2, 1996